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RENT

by Jonathan Larson

In spring of 2022, I was the director of RENT with Scotch'n'Soda Theater. Scotch'n'Soda is the oldest college student theater group in the country and a valued organization in the CMU community. This musical was the largest performance of the year taking place during Carnival, a popular Carnegie Mellon tradition where an amusement park and many events take place on campus populated by alumni. This was Scotch’s first year back to live performances since the onset of the pandemic, and the themes of isolation in the face of pervasive illness called us to this powerful text.

Photo by Soomin Kong

Photo by Soomin Kong

I collaborated with my co-director, Katia Peppas, to take on this densely packed musical in a 7-week rehearsal process. Katia had been a veteran of the organization for many years, while my participation had begun earlier that year; she passed on her institutional experience while I was able to bring new ideas and approaches to the process. Our partnership mirrored the beautiful exchange that occurred between the students in our cast. This was the largest cast the organization had seen since the onset of pandemic, largely composed of first-time Scotch'n'Soda performers, but led by veteran members who were returning to the stage. Many of the veteran members had taken time off as a result of the pandemic and were returning to the stage for the last time before graduating. While the newer members of the cast brought fresh energy and enthusiasm to the process, veteran members became mentors for the next generation of student-theater makers, sharing valuable practices, philosophies, and traditions from their experiences before the pandemic. They passed on their wisdom from before the pandemic to students, while new students brought innovative problem-solving skills to the table, helping an organization to adapt to a wildly different theatrical world. To me, this was the most valuable experience of the production; it was incredible to see RENT's theme of community as a comfort through fearful times be manifested in the process as much as it was on the stage. 

Photo by Soomin Kong

Photo by Soomin Kong

I worked closely with the production's dramaturg, Aysha Zackria, to ensure that we had a robust set of materials available providing necessary contextual and historical information regarding the AIDS epidemic in America. We facilitated full cast discussions to dig into the heavy content within the show and address bias present within the script to find ways of uplifting moments of queer joy and celebration. As the ensemble is an integral part of this story, I took on a leadership position amongst the ensemble, leading trust-building exercises at the top of the process and encouraging a collaborative atmosphere in the rehearsal room. In our program and pre-show announcement, we encourage audience members to donate to the local Pittsburgh organization, Sisters PGH, a a Black and Trans-led non-profit organization which serves POC, trans, and nonbinary people within Southwestern PA.

Photo by Soomin Kong

Photo by Soomin Kong

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